“I’m so afraid,” she answered gravely. “That I shall come to love you too much: the home, the children and you. I shall have none left over.” “Thank you,” she said, “for being so kind—and wise. I shall always love and honour her.”!

“I’m afraid so,” answered Mrs. Phillips. “Oh, of course, I want him to,” she corrected herself. “And he must, of course, if the King insists upon it. But I wish it hadn’t all come with such a whirl. What shall I have to do, do you think?” She saw the London of the future. Not the vision popular just then: a soaring whirl of machinery in motion, of moving pavements and flying omnibuses; of screaming gramophones and standardized “homes”: a city where Electricity was King and man its soulless slave. But a city of peace, of restful spaces, of leisured men and women; a city of fine streets and pleasant houses, where each could live his own life, learning freedom, individuality; a city of noble schools; of workshops that should be worthy of labour, filled with light and air; smoke and filth driven from the land: science, no longer bound to commercialism, having discovered cleaner forces; a city of gay playgrounds where children should learn laughter; of leafy walks where the creatures of the wood and field should be as welcome guests helping to teach sympathy and kindliness: a city of music, of colour, of gladness. Beauty worshipped as religion; ugliness banished as a sin: no ugly slums, no ugly cruelty, no slatternly women and brutalized men, no ugly, sobbing children; no ugly vice flaunting in every highway its insult to humanity: a city clad in beauty as with a living garment where God should walk with man.

“Perhaps,” she added, “the helpmate theory was intended to apply only to our bodies. There was nothing said about our souls. Perhaps God doesn’t have to work in pairs. Perhaps we were meant to stand alone.” “You can face it,” she said: “the possibility of all your life’s work being wasted?” “I shall try to win you over, I warn you,” he said. “Politics will never reform the world. They appeal only to men’s passions and hatreds. They divide us. It is Art that is going to civilize mankind; broaden his sympathies. Art speaks to him the common language of his loves, his dreams, reveals to him the universal kinship.”